Refreshingly, the sly, Bond-like script isn’t just filler between those encounters; instead, the globe-trotting story and its layers of deceptions and double-crosses give the director the freedom to make one of his most stylish and entertaining pictures. Top 100 Movies of All Time Best of Rotten Tomatoes Movies with 40 or more critic reviews vie for their place in history at Rotten Tomatoes. )Watch it on Netflix, The Oscar-nominated director David France (“How to Survive a Plague”) pays overdue tribute to Ms. Johnson, affectionately nicknamed the Mayor of Christopher Street, telling the story of her eventful life through interviews with friends and fascinating archival footage. (Fans of more traditional movie musicals should check out the classic “Fiddler on the Roof.”)Watch it on Netflix, The director Mark Osborne (“Kung Fu Panda”) took an unconventional approach to adapting the classic children’s book by Antoine de Saint-Exupéry for the screen, placing its story of an aviator’s encounters with a magical little boy inside a contemporary tale of a little girl’s friendship with that aviator (now a grizzled old man). The special effects are still eerily convincing, the performances are quirky and compelling, and Spielberg mines his big set pieces for maximum tension. Manohla Dargis praised its “sardonically funny, touching key.” (For more critically acclaimed foreign drama, try “Burning” or On Body and Soul.”)Watch it on Netflix, Jennifer Lawrence won the Oscar for best actress for her spectacularly sassy and unapologetically haunted performance in David O. Russell’s (somewhat loose) adaptation of Matthew Quick’s novel. The script (by Baker and Chris Bergoch) captures, with startling verisimilitude, the anxieties of living paycheck-to-paycheck (particularly when the next paycheck’s very existence is uncertain) while also borrowing the devil-may-care playfulness of the children at the story’s center. (For more character-driven comedy/drama, add “Cookie’s Fortune” and “The Lovers” to your list. “Pilgrim” snaps and crackles, veering from one disarming set piece to the next with verve and vitality; A.O. Rotten Tomatoes. Scorsese does something far trickier, and more poignant: He takes all the elements we expect in a Scorsese gangster movie with this cast, and then he strips it all down, turning this story of turf wars, union battles and power struggles into a chamber piece of quiet conversations and moral contemplation. Copyright © Fandango. This touching and personal dramedy from the writer-director Mike Mills (“Beginners”) deftly conveys the period without relying on caricature, and resists resorting to cheap villainy or soapboxing. (The Coens’ “A Serious Man” is also streaming on Netflix. (For more stylish, auteur-driven action, check out “Django Unchained,” “Mad Max,” and “Drive.”)Watch it on Netflix, The director of “Tangerine,” Sean Baker, returns with another warm and funny portrait of life on the fringes, melding a cast of nonactors and newcomers with an Oscar-nominated Willem Dafoe as the manager of a cheap Orlando motel populated by confused tourists and barely-managing families. )Watch it on Netflix, Noah Baumbach’s searing, Bergman-esque drama is the story not of a marriage, but of its end — of a loving couple who just, as they say, grew apart, but whose uncoupling is nowhere near that organic. Scott called it “long and dark: long like a novel by Dostoyevsky or Dreiser, dark like a painting by Rembrandt.” (Pacino also shines in the mob movie “Donnie Brasco”; Paul Thomas Anderson’s similarly operatic historical drama “There Will Be Blood” is also streaming on Netflix. It’s a balancing act of seemingly contradictory tones and styles, slipping nimbly from serious mental-health drama to screwball comedy to romance thanks to the deceptive casualness of Russell’s approach and the skill of his cast — particularly Bradley Cooper as its unsteady protagonist and Robert De Niro and Jackie Weaver (all also Oscar nominees) as his parents. Baumbach’s screenplay is full of tiny, human touches and graceful tonal shifts; he can move from screwball comedy to open-wound drama in the blink of an eye. It’s the kind of performance that draws its power from a character’s refusal to raise his voice: One gets the feeling he’s done what he’s done for so long, with such awareness of his own creeping obsolescence, that he can hardly be bothered. A.O. Quels sont les meilleurs films disponibles sur Netflix? )Watch it on Netflix, The rise (and rise and rise) of the Facebook founder Mark Zuckerberg is loosely dramatized in this “fleet, weirdly funny, exhilarating, alarming and fictionalized” drama from the director David Fincher and the screenwriter Aaron Sorkin. And by framing her story as an investigation into her mysterious death 25 years before — an investigation led by Victoria Cruz, another transgender activist — France draws an explicit and affecting parallel to the violence against transgender women of color today. Abonnés à Netflix, faisons le tri ensemble ! (For more wild comedy, check out “To Wong Foo, Thanks for Everything, Julie Newmar.”)Watch it on Netflix, The director Steven Soderbergh built his first full-on action flick as a vehicle for the mixed martial artist Gina Carano and constructs its set pieces with reverence for her skill and athleticism. Scott wrote, as Baumbach dissects this family’s woes and drama with knowing precision. A.O. It’s both scary and enchanting, terrifying and dazzling; “If this is magic realism,” writes A.O. To help, we’ve plucked out the 50 best films currently streaming on the service in the United States, updated regularly as titles come and go. Rees gracefully tells both stories (and the larger tale of postwar America) without veering into didacticism, and her ensemble cast brings every moment of text and subtext into sharp focus. It’s a giant topic to take on in 100 minutes, and DuVernay understandably has to do some skimming and slicing. Manohla Dargis called it a “rough and glittering thing of beauty.”Watch it on Netflix, Martin Scorsese directs this exhilarating, informative and frequently funny chronicle of the early years of the folk singer, poet and provocateur born Robert Zimmerman but known to the world as Bob Dylan. Our critic called it a “gripping detective story” and “superlative newsroom drama.”Watch it on Netflix, Gina Prince-Blythewood’s adaptation of Greg Rucka’s comic book series delivers the expected goods: The action beats are crisply executed, the mythology is clearly defined and the pieces are carefully placed for future installments. The writer and director Dan Gilroy immerses the viewer in this sticky subset of crime journalism and bracingly dramatizes the ease with which this literal ambulance chaser traverses the bridge into mainstream media. Our critic called it “fast, funny, unafraid of sexuality and finally devastating.” (For more adventurous foreign cinema, check out “Happy as Lazzaro.”)Watch it on Netflix, This unsettling, unforgettable snapshot of urban decay and toxic masculinity from Martin Scorsese hauntingly captured the rotting core of post-Watergate American society when it was released in 1976, and it has remained nestled in our collective unconscious ever since. “It’s funny and sad, sometimes within a single scene,” writes A.O. Scott, “and it weaves a plot out of the messy collapse of a shared reality, trying to make music out of disharmony.” (Paul Dano’s “Wildlife” is another heartbreaking portrait of separation and divorce. The pairing of director and subject is unexpected, but Demme is up to the job; as in his Talking Heads film “Stop Making Sense,” he deftly captures the energy, electricity and playfulness of a live concert performance, a directorial feat that is harder than it looks. Yet Del Toro’s filmmaking is so confident that the picture’s tone never wavers; he’s such a thrilling storyteller that we follow his protagonist (the marvelous Ivana Baquero) through every dark passageway and down every mysterious rabbit hole on her mystical journey through Franco-era Spain — and out of the clutches of her evil stepfather. Laura Linney is passive-aggressive perfection as his mother, while Jeff Daniels, as the father, masterfully captures a specific type of sneeringly dissatisfied Brooklyn intellectual. (Another Sorkin-penned story of a Silicon Valley giant, “Steve Jobs,” is also available on Netflix. The sheer volume of films on Netflix — and the site’s less than ideal interface — can make finding a genuinely great movie there a difficult task. In it, he tells the true story of Oskar Schindler (Liam Neeson), a German businessman and member of the Nazi party who became the unlikely savior of more than 1,000 Jewish workers in his factories. It helps that it works whether you’re familiar with those pictures or not; the team adopts a cheerful “everything but the kitchen sink” approach, assembling their comedy as a mile-a-minute combination of sight gags, spoofs, wacky wordplay and unexpected juxtapositions. )Watch it on Netflix, The fates of two families — one white and one Black, connected by a plot of land one owns and the other sharecrops — are inextricably intertwined in this powerful adaptation by the director Dee Rees of the novel by Hillary Jordan. Director Barry Jenkins (adapting a play by Tarell Alvin McCraney) creates a world so dense with detail and rich with humanity that every character gets a chance to shine; the themes and ideas are all above board, but conveyed with subtlety and understatement. Scott, “it is also the work of a real magician.” (For a more traditional love letter to the movies, queue up “The Artist.”)Watch it on Netflix, A young man’s coming of age becomes a group project when his single mother (Annette Bening) reaches out to their housemates and friends for help, resulting in a slightly more complicated education than she envisioned. NETFLIX - Comme chaque mois, des nouveautés arrivent sur la plateforme de streaming. A lazier filmmaker might merely have put them back together to play their greatest hits. Our critic called it “one of the most deliriously funny, ingenious and stylish American adventure movies ever made.” (For more of Dr. Jones, check out “Indiana Jones and the Temple of Doom”; for more of Spielberg’s ’80s output, check out “Poltergeist.”)Watch it on Netflix, The latest from Joel and Ethan Coen is an anthology film set in the Old West, a series of tales of varying length and style, some as brief and simple as jokes, others with the richness and depth of a great short story. The wise script by the director Tamara Jenkins is not only funny and truthful but also sharply tuned to their specific world: Few films have better captured the very public nature of marital trouble in New York, when every meltdown is interrupted by passers-by and looky-loos. Airplane! Fox in “Back to the Future.”, Harrison Ford in “Raiders of the Lost Ark.”, Grainger Hines in “The Ballad of Buster Scruggs.”, a wintry pop song of a film, one you want to play on repeat, long, anguished, funny, violent excursion, powerful, infuriating and at times overwhelming, To Wong Foo, Thanks for Everything, Julie Newmar, an expansive, emotional portrait of life buffeted by violent forces, and a masterpiece, “a marvelously particular kind of lunatic endeavor.”, fast, funny, unafraid of sexuality and finally devastating, one of the most deliriously funny, ingenious and stylish American adventure movies ever made, It swerves from goofy to ghastly so deftly and so often that you can’t always tell which is which. A scene from “Da 5 Bloods,” with, from left, Johnny Tri Nguyen, Isiah Whitlock Jr., Jonathan Majors, Clarke Peters, Norm Lewis and Delroy Lindo.
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