Another “workhorse” here. There are other cinema lenses that are half the price of the Irix Cine Lenses. What happens if you use 2x on the a7S II and a7R II in APS C mode? Powered by PerimeterX , Inc. Javascript is disabled or blocked by an extension (ad blockers for example). The lens features two advanced aspherical elements and three extra-low dispersion glass elements. The whole Irix cine lens line is built with a stout construction and has rubber seals for rain or dust protection. Sigma 35mm T1.5 Cine Lens: This exceptional new high-speed prime lens covers full-frame sensors, is suitable for capturing ultra-hi-res 8K video in low light, provides apertures from T1.5 to T16, and has standard 0.8-pitch gears on its long-throw … These Sigma cine zoom lenses are a great choice for professional cinematographers, and they are really compact and well priced considering the price for a similar Zeiss zoom lens is twice as much. It comes in a few hundred dollars under top competitors. It’s important to note that cine zooms are parfocal. This macro lens give you some really nice bokeh, it is super compact and lightweight. The 24mm, 35mm, 50mm, and 85mm can be purchased as a bundle for less than $1,700 — making this set of cine lenses an unbeatable bang-for-your-buck option. However, where these fall short are they are not all the same length, size or weight, which cine lenses are supposed to be. While lenses with full frame coverage are generally more expensive, they’re also more versatile. They’re designed with full-frame cameras, covering the full sensor. Both the 16mm and the 25mm are available for purchase for less than $350 each. There’s a slight difference in color and contrast between the 16mm and 25mm, with the 16mm favoring more punchy, bluish tones and the 25mm favoring more neutral, greenish tones. The Best Cine Lenses for the Sony a7 III and Sony a7S III. Another lens from Sigma’s well-regarded Art line, the Sigma 24-70mm f/2.8 DG OS HSM Art features a flexible zoom and a variety of focal lengths making it adaptable to just about any shooting environment or project. Lastly, it also color matches with its zoom cousins (below). Ideal for portraitures, the Sony G Master 85mm features a maximum f-stop of 1.4, providing a stunning depth of field effect and making this another lens well-suited for low light shoots. This size of the aperture is a key measurement. There are few lenses that offer as much bang for their buck as the Tamron 28-75mm F/2.8. If I’ve missed an important lens please let me know in the comments below. If you only want the best for your set, the Zeiss CP.3’s performance is unparalleled. Francis Joseph D'Costa January 22, 2019 Blog No Comments. Additionally, while new video cameras are being made every year, the technology in optics just doesn’t advance as fast. Here are the main factors you’ll need to consider before investing in your next lens. These lenses share similar image quality characteristics and physical design, making it easy to switch lenses between shots. The narrow focus ring is at the front of the lens body and you would struggle to attach a focus gear for use with a follow focus. It may be a little on the heavy side tough compared to the body you’re attaching it to. If lenses are at different lengths and weights, it takes time to reposition your rig and adjust rod lengths. This category only includes cookies that ensures basic functionalities and security features of the website. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. The picture quality for all of the Sigma cine lenses is pretty consistent, so the only reason to choose one over the other would be your preference and the desire to cover the entire focal length range. If yes, then this one is for you. The lenses are tack sharp and have a multi-layer coating that keeps veiling flares under control. This means it includes the same coveted look of the Art lenses, as well as all the features of modern cinema lenses. Cine lenses have the ability to focus on moving objects and smoothly toggle focus from one subject to another. Furthermore, it’s compatible with a variety of 67mm filters. Great bokeh, even at the slower aperture rating. Both lenses are par focal, meaning that run-n-gun shooters can set focus and adjust the zoom while keeping their subjects in full focus. Lenses are a major investment and not everyone can afford to shell out over a thousand dollars for a high-end option. Click here to read my comparison of full frame lenses for large format sensors. Using one can cut up to a full stop from your exposure. They feature a front diameter of 95mm, which is smaller … Sensors smaller than full frame come with a crop factor that will increase the effective focal length of your lens. Samsung 980 PRO PCIe 4.0 NVMe SSD Boasts Speeds of Up to 7,000MB/s. Be sure to check out these awesome PremiumBeat resources on building your lens kit: Experience the best TheBeat has to offer. I absolutely recommend them, as long as you know what you’re getting into. You’ll also find that most manufacturers, including Canon, Nikon, Sony, Sigma and Tokina, … The lens’ built-in CPU allows for quick auto-focusing, though it can also be focused manually. This is where cine-mods make sense. Since then, there have been several generations of this sturdy, extremely versatile lens. This means the plane of focus will be thinner. However, we would advise most filmmakers shopping in that price range to buy a higher-quality stills lens for a comparable price and modify it with a follow focus and other lens accessories to get the cinema functionality you need. Cine lenses are made for use in bad weather. When we say ‘Cine’ lens, its mostly understood we are speaking about manual lenses. This 800mm full frame equivalent is enormous compared to lenses for the micro four-thirds mount, and most of all it has an IS that allows to shoot handheld with the pocket. These cookies will be stored in your browser only with your consent. October 18, 2015 August 20, 2029 eyeranian Leave a Comment on Top 10 Best Cinema Lenses Canon Reviews Of 2020. I would definitely recommend the Zeiss CZ.2 (Amazon, B&H) line. EF/PL/E Mount; 35mm/APS-C; Max: t/2; LensProToGo. It’s the Sigma 18-35mm f1.8. Let’s not be under the impression that Rokinons/Samyangs can replace real cine lenses, but for bang for buck – they are unmatched. It is for the video shooter for whom convenience of a single zoom outweighs all the negatives. With the addition of these focal lengths, shooters can expect another high value option for budget cinema lens sets. Zoom lenses with a constant aperture are easier to work with, but they typically come at a higher cost. 4K Wide-Angle 10x Zoom Lens with Image Stabilizer; 12 Megapixel One-Inch 4K-Compatible CMOS Image Sensor; DiG!C DV 5 Image Processor; Best Lenses for Wedding Videography. Zoom lenses will often feature a variable maximum aperture depending on the focal length used. You’ll also find that most manufacturers, including Canon, Nikon, Sony, Sigma and Tokina, make very similar 24-70mm zoom lenses. This lens is a bit more geared toward photography, but that doesn’t mean you can’t use it for filmmaking. Now, with a 1.8x sequeeze, a 16:9 aspect ratio transforms into a 3.2:1 aspect ratio, and if you shoot full frame 1.5 (like with the Sony Venice), you’ll get 2.7:1. A nice add on is also the built-in IS, not a feature we get easily on this kind of lenses, but lacks weather sealing, so watch out if you plan to shoot in the rain! When choosing Sigma camera lenses, make sure to select the appropriate mount type for your specific camera. Featuring a breadth of apertures, from f/1.8 to f/16, this versatile lens is one of the most popular go-to lenses for filmmakers seeking a wide-angle zoom lens with great low light credentials. The Yongnuo YN 50mm is very similar in design to the Mark II version of Canon’s famous “nifty fifty” with the body and lens mount made of plastic. But opting out of some of these cookies may have an effect on your browsing experience. You’ll usually see this measured as the F-stop of a lens, for instance f/2.8, f/4 or f/5.6. Althought a simple speed booster can … Technical Specs: Color matches Cooke S4 Covers 2K/4K/5K cinema Cam-style focus Aperture range: T2.8 (standard on all lenses) Make sure to use on a tripod as much as you can for high resolution. The lower the number, the wider the angle of view, allowing more of the scene to be captured. Which Sony A7S III Video Mode Looks Best? As a part of Sigma’s Art line of lenses, the Sigma 18-35mm f/1.8 DC HSM Art is built for use in creative endeavors. Rokinon Cine DS or Samyang Cine VDSLR II? On a camera with a APS-C sensor with a 1.5-time crop, the same lens will have a field of view approximately equivalent to a 52mm lens. It has a very important feature, often glossed over by beginning filmmakers and it’s that it is parfocal. Fujinon’s super lightweight MK T2.9 series lens offers shooters immense versatility in both studio settings and run-n-gun shooting scenarios. The nine-blade diaphragm provides for a well-rounded bokeh in your shallow depth of field shots. A good lens is expensive and specialized. On the other hand, prime lenses will often have a faster, or wider, maximum aperture than zooms. AF: Autofocus can be a useful feature, but unless the camera supports continuous autofocus, it’s just not as useful for video work as it would be for stills. A cheaper and lighter version is available with a maximum aperture of f/4 for $1,100. We give you a list of The Best 4K Cameras ($12,000 Max Price). This is the widest of the Sigma art lenses on this list, and it also happens to be the most expensive. The lens offers a constant f/2.8 through the entire zoom range, and its Optical Image Stabilization allows you to shoot a rock steady image — even at 200mm. Prime lenses have one fixed focal length while zooms can be used to cover a range. Zeiss CP.3 $4,390.00 at B&H Video View Price at Amazon . Access to this page has been denied because we believe you are using automation tools to browse the website. The result is higher contrast, richer blacks and more saturated colors. Prime lenses have one fixed focal length while zooms can be used to cover a range. Fewer elements in prime lenses also leads to generally sharper images compared to equivalent zoom lenses. The Panasonic Leica 100-400mm is a huge zoom, what we would call a “beast”. The optical system has 11 optical elements in 9 groups — including 4 HR lenses, 1 ED lenses, and 1 ASP. Know the crop factor for your camera to be sure you’re getting the lens you need. Finally, if the outer diameter isn’t the same size, you will need different matte box adapters for each lens change. This website uses cookies to improve your experience. ZEISS Cinema Zoom lenses feature exquisite optics in a robust, durable package – two characteristics that will surely remain desirable for decades to come. What for you may ask? Hope you found it useful! Priced reasonably, this is the ideal starter lens for the amateur photographer. If you lose digital communication, you lose the ability to autofocus. Star Wars Lightsaber Duels — What Makes Them Great? This zoom range covers the most commonly used focal lengths. The size of this opening is controlled by a multi-bladed iris. If this is an acceptable compromise to you, that’s good. This feature makes cine zoom designs much more complex and expensive to manufacture. Sigma has been a top camera lens brand for years, so we thought it’d be helpful to put together a list of the best Sigma camera lenses for all of the top brands like Canon, Nikon, Sony, and cine cameras as well. Lenses with focal lengths between 20mm and 100mm are much more common in video production, with 50mm lenses more or less approximating the field of view of the human eye. Best Lenses for the BMPCC 4K You Can Currently Get. Required fields are marked *. This makes the Fujinon MK T2.9 series perfect for run-n-gun doc shooters using Super 35mm camera systems, such as the Sony FS7. The mount type is the first thing you need to consider with lenses. From backwards-talking aliens to ... igma has been a top camera lens brand for years, so we thought it’d be helpful to put together a list of the best Sigma camera lenses for all of the top brands like Canon, Nikon, Sony, and cine cameras as well. Its small size should make it easy to carry around. However, all PL-mount lenses must interface with an adapter, so the adapter must be strong, stable and must provide good support so the E mount is not strained. Unlike F-stops, T-stops represent how much light hits the sensor rather than how wide the aperture is. They’re a handy tool, but if used, the drawbacks should always be considered. Because cinematographers value consistency, cine primes are often sold in sets. This lens has image stabilization which is important for video, and while it is relatively expensive, it does come in at a better price point than Canon and Nikon versions of the same lens. Very wide lenses will often distort the image, which can be distracting in the wrong context. Key advantages: For run-and-gun work and if you don’t have any options this zoom is a great all-rounder. This lens focuses quickly and easily while providing a great deal of control, making it a good choice for both amateurs and professionals. So, it seems there are plenty of options in the market both used and new for this camera and in all the price range. He works as a writer, director, and content producer here at StudioBinder. Plus, few adapters allow for digital communication between the camera and the lens. The Sigma 24-70mm f/2.8 has a solid build quality and weighs in at nearly 2lbs. The Sigma 24-70mm f/2.8 also has a number of protections against aberrations and an optical stabilizer system which is a great aid to help steady your footage when shooting handheld. One point to note is that the lens is designed for use with APS-C sensors and will vignette on a full-frame DSLR. Camera specs definitely matter, but even the best cinema camera won’t be able to deliver exceptional output if it falls in the hands of someone who can’t utilize it. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. The set is available in Sony E, Micro Four-Thirds, and X lens mounts and are currently available in focal lengths of 16mm and 25mm. By being informed and aware of the options, you’ll be able to find a lens that suits your needs. The three companies that have been doing this for a while and have sufficient track records are: These services don’t have a worldwide presence, so you must be aware that replacements and service will be slow; and if you want a quick replacement in an emergency you likely won’t find the exact same lens. On newer lenses, you might even lose the ability to change your aperture. The Videomaker Editors are dedicated to bringing you the information you need to produce and share better video. If you need help in deciding on a cine lens as opposed to a still camera lens, read what is a cine lens and how is it different from photo lenses? With a maximum aperture of f/1.8, this lens works great in low lighting. Learn how your comment data is processed. Additionally, it features a customizable focus-hold button and aperture ring with a click on/off switch. The Sigma Cine T2 series is a re-housing of the wildly popular Sigma Art lenses. Because of these demanding specifications, they are often considerably more expensive than similar still lenses. The Canon EF 70-200 f/2.8L IS III USM features 4-stop Image Stabilization which will help to deliver stable footage when shooting handheld. Ask yourself: Will you buy the 28-135mm cine zoom (B&H, Amazon) if there were other options available? The auto-focus is quick and somewhat quiet, but there have been a lot of reported auto-focus issues with Sigma. These are my suggestions for the best Canon lenses for video and cinema work. Cine lenses will also measure aperture in T-stops rather than F-stops. Best camcorders for any video shooter — 2020, The best audio and video recorders — 2020, Best microphone for video production — 2020, The best digital storage for video editors — 2020. This article will help you understand some of the key features that distinguish different lenses. This lens isn’t cheap but its robust, weather-sealed construction makes this a solid investment for the discerning photographer. Let’s start off with the Panasonic Leica 42.5mm Nocticron. Assuming you have an excellent adapter that has been shimmed for focus accuracy, it also allows you these benefits: If you have a limited budget, then don’t look further than a Samyang/Rokinon Cine DS prime set (Amazon, B&H): I would start with a four lens set: 24mm, 35mm, 50mm and 85mm T1.5. Though not fully weatherproof, the Tamron 28-75mm F/2.8 boasts moisture-resistant construction with environmental seals located at the lens mount area and other critical locations to prevent infiltration of moisture and/or raindrops. Compact cine lenses aimed to independent filmmakers, with optimal sharpness and excellent construction. The motion capture, contrast, and colors are really nice. Check out these posts for more info on camera lenses: This is a nice fast prime lens with really good bokeh. Given it’s Micro Four Thirds lens mount, this camera opens up to some interesting lens choices besides the usual suspects. Available in 15mm T2.9, 25mm T2.1, 35mm T2.1, 50mm T2.1 and 85mm T2.1, each lens in the line features improved ergonomic design compared to the line’s CP.2 predecessors, 14 blade diaphragms and improved protection against aberrations and reflections. When making a film or music video, there is always a chance to get some extra production value with a really long lens like this, so make sure to take advantage. Cine primes are much more common and affordable than cine zoom. Jingle All the Way — A Complete Deconstruction of the Capitalist Machine, How to Choose the Right Camera Lenses – Complete Buying Guide. This is a really sharp lens that works really well for portrait photography, but also as a nice filmmaking lens for telephoto uses. The beautiful bokeh (complemented by a well-rounded, eight blade diaphragm), fast and accurate focus and numerous measures against aberrations make the Canon EF 70-200 f/2.8L IS III USM one of the most versatile zoom lenses on the market. External zooming lenses are more common and more affordable. The current IS III USM generation is the best yet. These zooms won’t work with full frame cameras like 5D or A7iii. That’s it! You also have the option to opt-out of these cookies. However, moving from f/4 to f/2.8 can make a big difference for videographers working in low light situations. The aperture and angle are really nice for filmmaking and travel videos, but also great for photography. The iris also influences the appearance of bokeh — or blur— in your image. To get the same 56mm, working backwards, you’ll need a 12mm anamorphic lens. The best online film school for serious filmmakers. This lens is mainly here because it fills in the missing focal length if you already have the two previous Sigma cine zoom lenses from above. Expensive for what you’re getting. The E mount isn’t really designed to hold heavy cine lenses, especially zooms. More blades lead to a more circular opening, producing smoother, more pleasing bokeh in the defocused areas of the image. Use this resource as a guide for finding and purchasing your first set of cinema lenses — a set that’ll provide high value for years to come. Click here to contact a sales representative and request a media kit. All of the Sigma art lenses are really fast, and because of this you can achieve really shallow depth of field. Definition and Examples Explained, Looking Glass: Watchmen Character Origins Explained, What is Symbolism? Zoom lenses are typically more expensive, especially as the zoom range increases.
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