The chart with chords in Dorian mode shows the relationship of all triads in this mode. So when you're building modal chord progressions, keep in mind that you may want to reinforce the tonic, either through a tonic "pedal" note that goes through the whole thing or just by frequently returning to the tonic chord.

Some notable tunes in Dorian are “So What” by Miles Davis, “Eleanor Rigby” by The Beatles, and “Scarborough Fair” by some medieval bard trying to entice a fair maiden out of her chastity belt. The Solution below shows the C dorian mode triad chords (i, ii, III, IV, v, vi o, VII) on a piano, with mp3 and midi audio.. To make it a specifically modal progression, the mode's related chord must become the tonic of the progression.
To create song melodies and chords in the dorian mode, you’ll first want a few chord examples that you can improvise melodies over. In the video I cover some of the best chords that can be applied within Dorian chord progressions. We'll use them to build our modal chord progressions. We can then build progressions around a given degree chord, and therefore a given mode, using the related chords of the scale. Summary: 'Jingo Jango' Groove The last song we will look at has a slightly more complex chord structure. The other big question i have is; instinctively, i want to say that D is the new “tonic” note of C major Dorian.

In this way we can re-organize the Dorian scale and avoid playing the scale stepwise up and down. Some examples... Ionian chord progression Dorian refers to a scale, not a chord or a progression. The Lesson steps then explain the triad chord construction from this mode, and how to name the quality of each chord based on note intervals.. For a quick summary of this topic, and to see the chord quality chart for this mode, have a look at Mode chord.

Using the white note hack, Dorian is what you get when you play all the white notes, starting from D. And remember, after you’ve used the white note hack to write your chord progression, you can just select all the MIDI and move it up or down to wherever you need.

I suggest starting with Dorian because it is quite easy to write cool chord progressions that resolve to the ii. B dorian chords. You should remember this. C dorian chords. Although composers typically do not set out to write modal music (as this would be creatively limiting), modal sequences often naturally occur in music simply because they sound good and meaningful melody/harmony can be easily extracted from them.